2020 has been an unprecedentedly arduous year around the world. Many industrial sectors – including pharmaceuticals and healthcare – have been affected by the pandemic. In such a delicate context, undertaking a $677 million operation by purchasing 100% of the shares of a major US biopharmaceutical company was a bold move, that allowed Menarini Group […]
Read moreMenarini, the largest pharmaceutical company in Italy with affiliates in 140 countries and over 17,000 employees – over 4,000 of which are based in the country – resulted at the top of the rankings drawn up by Universum as «Most attractive employers» in the field of health and medicine. «This is a complex and diversified […]
Read moreMenarini Asia Pacific “jumps” in 2021 alongside the National Kidney Foundation (NKF), running for a good cause: to inspire and support people suffering from kidney failure. The number of new cases has increased about 60% over the past 10 years with diabetes being the number-one-cause of kidney failure. However, more than half who have diabetes […]
Read moreFollowing on from the success of Pills of Art – whose videos have made 18 million views worldwide – Menarini launches a new version dedicated to children and teens. In this new and fresh series, children have a starring role. Precisely the kids are the ones asking the art expert the most disparate questions – […]
Read moreFor over 100 years, BERLIN-CHEMIE has stood for innovative research and production of newly developed as well as proven pharmaceutical products. As part of the global Menarini Group, BERLIN-CHEMIE’s goal is to introduce new drugs to help ill patients and improve their quality of life. After more than 2 years of development, BERLIN-CHEMIE – responsible […]
Read moreFlorence, Palatine Gallery of Palazzo Pitti. Here, the expert in Florentine Art Olivera Stojovic introduces to us a minor work by Perugino, born as Pietro Vannucci. A small oil painting panel and a delicate example of femininity and beauty: the Mary Magdalene. The artwork measures 47×34 cm and depicts a “modern”, not suffering Mary Magdalene. […]
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